Gardening in Window Boxes

With only window boxes to garden in, it's amazing how clever some Oriental Bay locals can be. From my third-storey apartment, I look down on a small space between the wall of a house and a boundary wall. It gets hardly any sun and could be a drab little area.

But it isn't. The eye is drawn immediately to a long window box crammed full of red and white petunias. They positively light the place up. On the boundary wall itself are semi-circular wall pots also spilling over with flowers. A dull little area has been turned into an inviting, colourful entranceway.

Anyone who's travelled in Europe has admired the window boxes in the cities — scarlet geraniums spring to mind, brightening up those narrow city streets, like torches. In Wellington we have the added challenge of the wind, so David from

California Home and Garden often suggests low plants that don't catch

the wind so much. Included in his list are the sun-lovers: dwarf calendula, dwarf chrysanthemum, geranium, lobelias, French marigolds, nemesia, pansy, pelargonium and petunia. These plants are not tall enough to catch the wind too much.

For shady positions he suggests alyssum, begonia, cineraria, ferns, forget-me-not, impatiens, ivy, lavender, native violets, primula and periwinkle. The herb rosemary doesn't mind the shade, falls attractively over the edge and provides pretty blue flowers as well as leaves to flavour lamb dishes.

Palmers' Handy Tips leaflet stresses using a premium tub or container mix as these contain water storage crystals, a wetting agent that spreads moisture to the roots, along with slow release fertilisers. Water crystals swell when water is added and act as a water reservoir. The crystals then shrink as the water is taken up by the plant and expand again when the plant is watered.

They advise against using garden soil or compost instead of potting mix in pots as compost generates heat as it breaks down and like soil, it compacts. This starves the plant of oxygen and fertiliser.

Their Tips stress that plants in containers dry out more quickly than plants in the garden. As the plant grows and the root ball becomes denser, it becomes harder for water to penetrate. Early morning or late afternoon is the best time for watering which should be daily in summer. Water thoroughly rather than giving several light sprinkles. Container plants still need watering after light rain.

Geraniums and pelargoniums, whether standard or ivy-leafed, are also favourites for Bill Ward (of Maggie's Garden Show fame). They flower for 10 months, he says, and colours can range from hot red, orange, and purple to softer hues of pink, white and lavender. He's particularly fond of petunias, perennial or annual.

Bill loves combinations of colours that contrast with each other. Yellow nasturtiums, coupled with upright blue rosemary, for instance. Or hot yellow/orange marigolds with the misty-blue flowers of ageratum; marigolds with blue or white lobelia; mixed nemesia or phlox with red, white or purple salvia; prostrate rosemary with the hardy bay (Laurus nobilis). He likes to use black mondo grass as a foil to colourful flowers or trailing plants like ivy.

When planting the solid types of window boxes, Bill suggests adding a layer of coarse gravel to the base which facilitates drainage and will protect the roots of your plants from being waterlogged.

If using open weave wrought iron types of window boxes you can choose to use individual pots. You may choose to line the window box with bird netting or chicken wire, adding dampened sphagnum moss to give a natural look, then add potting mix to around one third the depth before adding the plants.

Caption: scarlet and white petunias turn a drab little space into a delightful area.

JCD with help from David of California Home and Garden; Palmers How to Grow in Containers leaflet and Bill Ward's book on House Plants, Hanging Baskets and Window Boxes (Hyndman Publishing).

Bay View newsletter 65, May 2015

The Luck of the Irish — in Oriental Bay

Gaelic football is the latest sport to be held on the beach of Oriental Bay, joining the various types of beach volleyball and beach football that we've seen for a few years now on the beach.

The Wellington and Hutt Valley Gaelic Club is the region's only Gaelic football and hurling club, so they value these once-a-year beach tournaments— usually the beginning of November — to introduce locals to this ancient sport.

Their president Trevor O'Halloran describes the event as a five-a-side, five-minute half, single sex, one-day beach blitz. Last November 12 teams made up of five players took part in the beach tournament.

He says that the club likes to promote the game to locals through the summer. "The separate pre-Christmas social league and post-Christmas more competitive nine-a-side tournaments bring together our 200+ members with an even mix of Irish/non-Irish; men/ladies; young/old; experienced/beginner players. By hosting these summer games the club grows and builds its core registered players steadily. Membership now sits at 80+".

A full New Zealand Gaelic Football national championship was held in March in Upper Hutt this year with teams from Auckland and Canterbury clubs attending. A total of 11 teams of 15 players took part over a two-day tournament in all four codes of Gaelic sports. In October Wellington will host the Australasian Gaelic Football Games.

One enthusiast I spoke to at the beach tournament, described Gaelic football as similar to Aussie Rules with a mix of football and rugby league. A player can only take four steps with the ball at any one time. The beach version has the usual vagaries of Wellington weather to cope with — four seasons in a day. On the beach there's an extra hazard when our famous wind whips up the sand to get in your eyes.

So sometimes they might need the help of a couple of lines from that famous Irish blessing:

May the wind always be at your back.
May the sun shine warm upon your face...

JCD, Bay View newsletter 65, May 2015

Oriental Bay's Christmas Trees With 'Beards'

As you walk under the stately pohutukawa trees on Oriental Parade, do you wonder why one or two of the trees sprout great clumps of matted roots from their branches? Clumps that hang down like masses of coarse matting or, more fancifully, giants' beards?

These are aerial roots, also known as adventitious roots. (Adventitious has nothing to do with being daring. It suggests development in an unusual position, like a root growing down from a branch). They grow out of trunks and branches.

They often develop on pohutukawa growing on banks and rocky cliffs where they can search for crevices, pockets of soil and moisture to help keep the tree anchored and fed, though this isn't applicable to our trees in the Bay.

Wellington is not one of the natural growing areas of mainland pohutukawas — metrosideros excelsa is their formal name. Their natural growing range is north of a line stretching from New Plymouth to Gisborne.

Why do some pohutukawas produce these aerial roots and others don't? I went to the Ask-a-Scientist column in our daily newspaper.

Gerald Collett, an aborist with Geotree Limited, suggests that it might be a genetic variation (a survival adaptation) within the species. Or it might be due to hybridisation.

He points out that northern rata (metrosideros robusta, closely associated with pohutukawa) commonly germinates on another plant and sends roots down the host tree. Sometimes pohutukawa also establish in this way. The two species are known to hybridise.

"I have seen pohutukawa aerial roots descending from wounds on branches and trunks as if stimulated by the wound, " Gerald Collett says, "but this looks to me to be something different to the beards. I have seen pohutukawa stems entirely sheathed in webs of aerial roots. Again I think that this too is something different to the beards.

Nick Stott, a Heritage Arborist with the Auckland Council, considers that there is no 'evidence' that pohutukawa trees grow aerial roots for any reason in particular. But sometimes they appear to develop these roots in an attempt to bind themselves together, as the species is known for 'layering' characteristics where branches fall to ground level, still attached to the tree.

The roots may attempt to bind the tree together, or start the process for rerooting when the branch finally gets to the ground. In any case, the roots will continue to undertake work that roots do — optimising every situation and providing air and water to the tree.

JCD, Bay View newsletter 65, May 2015

New Direction for Woman-Of-Many-Parts

The Taj Gallery and Patisserie that operated where Oriental Parade meets Kent Terrace will be remembered by many long-time residents. It was established by Cynthia Cass who ran it for five years.

An artist, gallery-owner, writer, farmer, cook and traveller, Cynthia's latest achievement is collating a book called We Three Go South, published by Phantom House. It is based on the 1890 diary and hilarious sketches done by Cynthia's great-aunt Ethel who, with her two sisters, visited the sub-Antarctic islands on the government steamship Hinemoa.

The exuberant sisters revelled in the adventure. Defying the sedate lifestyle expected of well-brought-up young ladies of the time, they hunted sea lions, climbed peaks, collected plants and generally had a whale of a time. It's a joy to read and to handle.

The building where the Taj Gallery and Patisserie operated were city toilets before Cynthia transformed it into something more gracious. It is now the Welsh Dragon Licensed Restaurant and Bar, said to be the only Welsh Bar in the Southern Hemisphere.

JCD, Bay View newsletter 65, May 2015

Seafront Wall is Rejuvenated

Watching children delightedly pointing to, or tracing with their fingers, the whales, dolphins, crabs, crayfish, sea anemones and waving seaweed depicted on our seafront wall is one of the pleasures of walking along the Bay. What was once a nothing grey wall at the city-end of the main beach is now a colourful mural of sea creatures found in Wellington Harbour. You feel a spring in the step, just passing it.

Ellen doing final touches

Ellen doing final touches

Ellen Coup who lives on the Kapiti Coast is one of the team who created the mural some ten years ago, commissioned by the Department of Conservation and Wellington City Council. So she was chosen to repair and rejuvenate it earlier this year, with help from Apo Matapelu who also took the photo of Ellen at work there.

The mural needed fresh-up treatment — filling of a few cracks, re-painting some of the cut-out plywood creatures and removal of the occasional graffiti. Also a plywood blue whale had gone missing from the mural. Found on the beach, the whale went into storage until being returned to Ellen for replacing on the wall.

She took 40 hours in midwinter to paint the original which won a Civic Trust award in 2005. The repair job only took about three weeks. It's a dream 'canvas' for this muralist who has more than a decade working in Wellington. Her works include the rata forest inside Café Rata, Zealandia wildlife sanctuary; the 'Living Cloak' of foliage on the retaining wall of The Terrace; a mural of kakabeak flowers on the WCC Granville Flats and 'Vegetation' on the wall of 1 Rintoul Street, Newtown. The Oriental Bay seawall remains one of her favourites though — it was easy to work on being low, and satisfactorily large and prominent.

Ellen holds a Diploma of Art and Craft Design from Whitireia and has studio space at Shelly Bay Air Force base. She wanted to be a painter when she first graduated and still enjoys painting. She got into murals through what she describes as "bloody-mindedness" and the great sense of accomplishment when an anonymous grey wall leaps into colourful life.

JCD, Bay View newsletter 64, November 2014

Max Patté

Max Patté who was described as a rare talent by Kathryn Ryan on the Nine to Noon program on August 12 is the sculptor responsible for Solace.

In a very short time Solace has become synonymous with Wellington.

“Wellingtonians love Solace so much, they add a jacket occasionally against the cold.”

“Wellingtonians love Solace so much, they add a jacket occasionally against the cold.”

Such is its popularity it is virtually impossible to buy a guide book or watch a promotional video of Wellington without the statue of Solace featuring.

The sculpture leaning North Westerly from the Wellington Waterfront can be seen to connect with both Wellington and our distant mythological past.

“Wellingtonians love Solace so much, they add a jacket occasionally against the cold.”

It does appear to be at one with both the elements and landscape. Certainly the Athfield designed Clyde Quay Apartments are now another interesting backdrop for Solace.

Already reacting to the elements the original copper colour is now becoming much darker.

This is not a singular piece; there is another Solace in the German city of Munich. This time situated high up on a city building.

Max Patté is the Head of Sculpture at Weta workshop. It is not surprising to find out he attended The Wimbledon Art School in London where he studied the traditional Renaissance style sculpture.

In 2008 he was made an Associate of British Sculpture.

He has had a number of private commissions in New Zealand, none more important than those majestic horses that stand in Michael Hill's Golf Course in Arrowtown. And then there is the work that Sir Ian McKellen has near Canary Wharf alongside a work by his idol Anthony Gormley. He also made a special joint sculpture of the infamous couple Charles Saatchi and Nigella.

Max also paints large works on canvas making use of iron dust incorporating the Renaissance artist's difficult technique of pin pricking which was used on their frescoes.

He has also been involved with many Award winning films including The Hobbit, Batman and he has also worked on designs for The Scottish Royal Ballet.

Jackie Pope, Bay View newsletter 64, November 2014

Gardening on Windy Balconies or Decks

Dwarf tulips perform well on windy balconies

Dwarf tulips perform well on windy balconies

Many residents of Oriental Bay have limited (and frequently windy) spaces to grow plants in — often balconies, decks or small patios. Green fingers can grow most things in most places, but for the rest of us, David from California Home and Garden gives some helpful tips.

Most apartment balconies have strong concrete floors, so weight is not a problem. Timber balconies however won't cope with the weight of big cement tubs so lightweight containers are preferable. Rectangular troughs along the edges of a balcony are good space-savers, or half-circle containers that sit flush to the wall. One plant doesn't necessarily need its own pot. Sizeable containers can accommodate more — a camellia might share a pot with an impatiens or a miniature rose with forget-me-nots.

Containers need more watering than plants grown in open ground, especially if awnings, guttering or another balcony overhead restricts the full benefit of rain. Small pots dry out quickly and don't have enough soil for good plant growth. So it's better to have fewer large containers instead of lots of small pots. A layer of mulch or pebbles will protect roots and keep soil cool.

Lettuce, strawberries, herbs and dwarf tomatoes are all suitable for container gardening and don't grow tall enough to be affected by wind. Sometimes attaching cucumbers, beans and other vine plants to a trellis against a balcony wall can extend your vegetable/fruit range.

Some plants need less water: agave attenuata and the succulents, like yuccas, flaxes (phormium), aspidistra or grass-like liriopes. On a sunny balcony dwarf bougainvillea, nandina domestica, gazania, amaranthus, annuals like petunia and lobelia, geraniums, dianthus and cactus can flourish.

For south-facing or shaded balconies, try camellia, impatiens, philodendrons, ivy, alyssum, aspidistra, arum lilies, some of the liriopes, the flax family especially purple Maori magic, ferns and hydrangeas. David's choices for the windiest balconies include lavender, rosemary, ivy, variegated euonymous and coprosma. These tough plants also tolerate salt spray.

Next issue we will list David's tips for window box gardening.

Bay View newsletter 64, November 2014

S. Gerard's Monastery on Mt Victoria

Wellington's most stunningly-sited building, on the hill at the city-end of Oriental Bay, is S. Gerard's Monastery. It is not (and has never been) a monastery in fact — the word indicates a secluded community, separate from society. But it acquired the name early on. And it stuck

Oriental Bay is bordered by two churches of different denominations. At one end of the bay the spire of S. Barnabas Anglican Church rises. At the city-end stands the much larger bulk of S. Gerard's Catholic Church and Monastery.

Oriental Bay is bordered by two churches of different denominations. At one end of the bay the spire of S. Barnabas Anglican Church rises. At the city-end stands the much larger bulk of S. Gerard's Catholic Church and Monastery.

The church was built in 1908 for the Redemptorists — a Roman Catholic missionary congregation formed in Italy in the 18th Century. They have always worked within the community, never as a secluded congregation.

The Redemptorists built the church in 1908 on the site of comptroller-general James FitzGerald's house. During an Open Day at the monastery we were told that the church was the first in the world to be dedicated to the Italian saint Gerard Majella (patron saint of pregnant women).

In 1932 the monastery (architect: Frederick de Jersey Clere) was built as the Redemptorists' home. It echoed the style of the church whose architect was John Sydney Swan. Mass is held each Sunday morning in S. Gerard's Church. By1988, increasing rates and declining numbers forced them to sell the property. It was bought by the South Pacific centre for the International Catholic Programme of Evangelisation. The monastery is used as a retreat and training centre — the first mission centre to be established by ICPE. At the regular Open Days, a tour of the building plus an account of its interesting history is offered. There's homemade food on sale and sometimes entertainment. The future is challenging for this iconic old building. For, at present, the church and monastery are only up to about 27% of new earthquake standards. According to maintenance and restoration trust chairman, Gordon Copeland, it would cost up to $10million to bring it up to 67% of those standards.

JCD, Bay View newsletter 64, November 2014

S. Barnabas Church on Pt Jerningham

High on the hill at the north-eastern end of Oriental Bay, stands the little weatherboard church of St Barnabas, its spire outlined on the skyline. The church's life began in 1898 as a 'church room' (so-called because St Mark's in Mt Victoria was the mother-church of the parish). In 1907 electric light was added; later the tower and bell; later still an organ. Roseneath became a parish in its own right in 1915.

Oriental Bay is bordered by two churches of different denominations. At one end of the bay the spire of S. Barnabas Anglican Church rises. At the city-end stands the much larger bulk of S. Gerard's Catholic Church and Monastery.

Oriental Bay is bordered by two churches of different denominations. At one end of the bay the spire of S. Barnabas Anglican Church rises. At the city-end stands the much larger bulk of S. Gerard's Catholic Church and Monastery.

The 116-year-old church has survived two near-death experiences. In 1924 fire broke out. Lectern, walls and timbered ceiling were scorched and smoke damaged. The baptistery ceiling and the windows were burnt, and solid timbers holding up the tower were heavily charred. The fire started in the altar area where the floor was burnt out — the replacement floor was built over the top of it. In its post-fire restoration, concrete buttresses were added on the eastern side of the building and some extensions added.

During the church's 70th anniversary in 1967, memorials included the triple stained-glass Ascension window above the altar commemorating the first vicar Father McLevie. Five years later the ten remaining stained-glass windows, depicting the life of Christ, were completed.

The second crisis was less dramatic. But the building had deteriorated to such a poor state that its continuing existence was in serious doubt. After much debate, it was decided to renovate and the church was closed for six months. Huge community effort was made towards the final cost of $640,000. The tower was replaced, foundations were strengthened, a new gabled porch replaced the flatroofed one and renovations brought the building up to adequate earthquake standard. Some eccentricities were retained in the restoration. The church always leaned away from the prevailing northerly wind and it still does! The tower continues to move a bit, but doesn't squeak anymore! What has not changed in the building is the wonderful warmth that rimu walls give.

Apart from regular services in the Anglo-Catholic tradition, the picturesque church is popular for weddings, baptisms and occasionally concerts. Extensive and thriving weekday programmes include pre-schoolers’ music and craft, plus Supakidz for 5 to 12-year-olds.

JCD, Bay View newsletter 64, November 2014

Walking Our Sculpture Trail

Choose a "You can't beat Wellington on a good day" sort of day and walk Wellington's stunning sculpture trail. From Oriental Bay, take a No 14 or a No 24 bus to the Railway Station and start the walk at Bunny Street where discs of Italian marble form the sculptural feature 'Seismic'. Up Lambton Quay at Stout Street are the pillars by sculptors Ralph Hotere and Mary McFarlane. Further up the quay, the shells by Jeff Thomson, mark Wellington's previous shoreline. Still further up, at Grey Street, are the stainless steel structures by Anton Parsons, their shining silver surfaces covered with braille-like knobs.

Next, head under the sails of Queen's Wharf — a sort of aerial sculpture themselves — to Len Lye's Water Whirler where, if you're lucky, you can watch jets of water quiver in the air.

Further along stands the statue of Kupe, Polynesian discoverer of Aotearoa, with his wife and tohunga. Past Te Papa meet Solace in the Wind (see Page 12) and then after Chaffers Marina, the sculpture: Tale of the Whale on Oriental Parade. Carved by Colin Webster-Watson, it recalls 19th Century days when whales were landed at Oriental Bay. Enough for one day. Refresh yourself at one of our Oriental Bay cafés. In a future issue, we'll explore the rest of the sculpture walk along by Wellington Airport.

JCD, Bay View newsletter 64, November 2014